| Abrams Claghorn Gallery 1251 Solano Ave, Albany, California 94706 Showing July 5 - August 31, 2017 Recption: Saturday July 15, 5 - 7 pm Artist Talk: Saturday August 12, 5 - 7pm |
| Skye Livingston joins Gathering: A Venison Magazine Retrospective with Not Quite a Mountain View, on view at Abrams Claghorn through August 31st! Read Jennifer's interview with her in our Spring 2015 issue where they discuss her delicate works inspired by the body.  Not Quite a Mountain View //wood, milk paint, silk organza, artist's hair, gravel, pins, nails, tracing paper, tape, thread, shrink wrap // 5.75" x 2.75" x .75" // now on view at Abrams Claghorn |  Not Quite a Mountain View //wood, milk paint, silk organza, artist's hair, gravel, pins, nails, tracing paper, tape, thread, shrink wrap // 5.75" x 2.75" x .75" // now on view at Abrams Claghorn |
Bio:
Skye Livingston is an interdisciplinary artist working with textiles, paper, and organic materials. She has received several awards for her work, including “Best of Show” in the Kansas City Art Institute’s 2012 BFA Exhibition, an award juried by artist Andres Serrano and director of the Nelson-Atkins Museum Julian Zugazagoitia. Her work is included in the collection of The Wichita Center for the Arts in Wichita, KS as well as numerous private collections. She has completed several residencies including the Artist in Residence program at the Arrowmont School of Arts and Crafts in Gatlinburg, Tennessee. She received her BFA in Fiber, and BA in Art History from the Kansas City Art Institute and is currently maintaining her studio practice in Ashland, W
Citrus Paradisi: of flesh & skin // including: grapefruit liqueur, grapefruit soda, grapefruit juice, slices of grapefruit, grapefruit flavored candy balls, and candied grapefruit peel
Artist Statement:
My work utilizes skin-like materials and recognizable motifs to rearrange the concept of home. Through elements oftranslucency, fragility and repetition, I investigate the idea that our homes and our identities are enmeshed within each other, aswell as individually faceted: we create and discard them through a psychological process of growing and shedding skins. Byutilizing repetitive processes and creating collections of subtly unique multiples, I aim to depict and memorialize this overlapbetween mental and physical space, and consider each piece a small monument, both personal and universal.
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