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Weekly Blog

Welcome to Venison's Weekly Blog! Here you will find advice, show reviews, thoughts and short articles by the Venison Team. We welcome your input comments and thoughts in return! 
​Thanks for reading Venison Magazine!

Quarterly

Gathering: Artist Zoe Childerley

8/10/2017

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Abrams Claghorn Gallery
1251 Solano Ave, Albany, California 94706
​
Showing July 5 - August 31, 2017
Recption: Saturday July 15, 5 - 7 pm 
Artist Talk: Saturday August 12, 5 - 7pm




​www.zoechilderley.co.uk

@zoechilderley
Zoe Childerley travels far and wide to capture images that tell the stories of man and nature. In her ongoing series, Dinosaur Dust, she explores the communities on outskirts of Joshua Tree, California. Check out Dinosaur Dust, now on view at Abrams Claghorn through August 31st and read her interview from our Spring 2016 issue to learn more!
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Dinosaur Dust // photograph // 12" x 12" // now on view at Abrams Claghorn

About Dinosaur Dust:

This body of work, called Dinosaur Dust, was made with the community based around the edge of Joshua Tree National Park in California during an artist in residence programme and subsequent visits.

It is an intimate portrait of a peripheral and charismatic community of the high desert,struggling to find meaning and moments of grace in a hostile environment. The work explores the encounters between people and nature, playing with light, impermanence and the faculties of seeing.

Working with the contrast of the black of the night and the blinding light of the day, this work investigates the narrative potential of photography in relation to its abstract capacities, bringing forth a reality that is simultaneously uncanny and unknowable. I am interested in landscape, and particularly in combining a desire to experience the‘sublime’ with the inexplicable seduction of the abyss.

​
In the American West everywhere has been conquered and exhausted, so people look to the desolate outposts and then to the heavens in search of the authentic wilderness. The images generate a powerful atmosphere and sense of place, one that is infused with the longing, uncertainty and expectation associated with the unseen.
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Petrified in Storyland Part II // White Horses
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Petrified in Storyland // In Memory of Arthur (Battle of Camlan site 1)

See the work!

gathering: a venison magazine retrospective
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Gathering: Artist Meline Höijer Schou

8/1/2017

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Abrams Claghorn Gallery
1251 Solano Ave, Albany, California 94706

​​Showing July 5 - August 31, 2017
Recption: Saturday July 15, 5 - 7 pm 
Artist Talk: Saturday August 12, 5 - 7pm




​www.melineart.com
​@melineart
Swedish multimedia artist Meline Höijer Schou has been stirring the pot with her work, exploring the role of an artist, decision making and confronting thoughts, feelings and actions. Learn about her work in our Winter 2015 issue, where you can also watch her short films. 

Her film, see you in my art, based off of our interview with her, was nominated in several film festivals just last year! We're thrilled she's joined our retrospective with Artist is injured - state of our affairs, now on view as part of Gathering: A Venison Magazine Retrospective​!
"I also love the idea that artwork can be truly versatile. Conditions and people change and so do my paintings apparently, as of lately. They evolved and thus survived." - Meline Hoijer Schou -Winter 2015
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Inside out - an interpretation of Andreas Vesalius. On commission from the Board of culture in Uppsala, Meline was one of eight selected artists to interpret the marvellous Andreas Vesalius, the father of anatomy, as an hommage on the 500th year of his birth // 2015

Artist Statement:

​About my art It is important that my work contains a vibrant energy.
Of sorts.
I want to capture the critical moment before the explicit outcome of a decision is possible to ascertain. I want to leave room for a great deal of ambivalence in the spectator. We don´t always make it easy on ourselves. But we communicate. Somehow. Autonomous from spatial realities.
Art as interactive speech bubbles. I adore the beauty of the uncouth and the slightly crude. I guess that´s why the knife is my tool when painting. I find knives easy to control and I love the sharpness, the edginess of its proceedings within the texture of the paint. To control it I have to hold my breath, so we´re both under an equal amount of pressure. Truce as an art form. When working with photography or making short films, I pretty much behave in the same way, I don’t look for absolute cleanliness. I want a certain amount of edge to remain. To cause some trouble. To stir something.
​I want to pose questions, I don´t provide answers.

Meline Höijer Schou
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Artist is Injured - state of our affairs // photograph // 12 x 12 x 1.5" // now on view at Abrams Claghorn
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Found wanting // oil on canvas with dymo // 39x39 inches
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Cordlessness (what if I open my eyes and find out for real) // oil on canvas // 39x39 inches

See the work!

gathering: a venison magazine retrospective
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California Art Guide, January 2017

1/12/2017

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Blind Spot
(Group show)
Exhibition dates | Dec 10th - Jan 20th, 2017
Design Matters Gallery
11527 W Pico Blvd
Los Angeles, CA 90064
Gallery hours: Mon - Fri 9am - 6pm

Press release
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Kang Seung Lee // Covers // Photocopy on wall, artist books // dimensions variable // 2015
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Transcendental Object at the End of Time (Valley of Death) // Parinya Champ
Nature Flavored
A group exhibition featuring works by
Amabelle Aguiluz, Amber Mueller and Kalani Ware
​Exhibition dates | Jan 14th - Feb 26th, 2017
Opening Reception | Jan 14th, 6- 9pm
Totally Rad Gallery
1212 San Pablo Avenue
Berkeley, CA 94706
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All Season Portfolio
Solo show by Patrick Martinez
Exhibition dates | jan 14th - Feb 18th, 2017
Artist Reception | Jan 14th 6 - 9pm
Charlie James Gallery
969 Chung King Road
Los Angeles CA 90012
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The Ecstacy of Mary Shelley
LACE Emerging Curators Program
Exhibition dates | Jan 5th - Feb 12th, 2017
LACE
Los Angeles Contemporary Exhibitions

6522 Hollywood Blvd
Los Angeles CA 90028​
Month of Photography Los Angeles
(​pop-up group show)
including selected works by Ven artist, Parinya Champ
​​Exhibition dates | Jan 12th - Feb 12, 2017
Space15twenty
1520 N. Cahuenga Blvd
Los Angeles, CA 90028

You can see a full list of Month of Photography events here
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Bestiario/Menagerie
​Exhibition dates | Jan 7th - 28th, 2017
​Closing reception | Jan 28th, 6 - 9pm
Adobe Backroom Gallery
3130 24th Street
San Francisco, CA 94110
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MUSCLE
Works by Daniel Albrigo and Kinglsey Ifill
Exhibition dates | Jan 14th - Mar 4th, 2017
Opening reception | Jan 14th 6 - 9pm
Paul Loya Gallery
2677 S La Cienega Blvd
​Los Angeles CA 90034
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John Wolf of Human Condition

11/11/2016

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I visited Human Condition the week of Halloween at the abandoned Los Angeles Metropolitan Medical Center. With three floors and over 8o artists, I decided to start at the top, with curation. I reached out to John Wolf, the Los Angeles based art advisor and mastermind behind this large exhibition.
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Patrick Mcelnea // Dr. Super Igor // single channel hd video // 2015

Q&A by Nazish Chunara

How did Human Condition come together? What was the process like?

​The Human Condition stemmed from a personal desire to feel emotion. I had a shortlist of figurative artists that elicited a visceral feeling to me. At the moment of inception, I did not have  a physical space for the show. It was when a client of mine mentioned the acquisition of the abandoned hospital that a light bulb illuminated. Upon viewing the space I knew that it was within these walls that previously stored so much human emotion I would find a great fit for the show.  
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Polly Borland // Ring a Ring a Rosy // 2001
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Tanya Batura // Achromic B // 2012
There are so many wonderful artists and so many works of art. Did you decide that it was going to be this large when you initially started planning? ​
​
​
No! I initially thought maybe 20 artists. The space is so big, I couldn’t stop, there were too many great works to display, so I kept going, finally capping it at 87 ;)

​What were some frustrations that you encountered?
​

​There were the day-to-day curatorial frustrations of artists whose works were not available, or the short timeline being a hinderance, but ultimately my own inner doubts that were the most frustrating. I chose not to listen to them, and forged ahead, not knowing if anyone would come see the show. Turns out people came ;) 2000 people on opening night.
Do you have plans to curate another show?
​

Yes, it will be even more immersive and intense, a surprise, so no spoilers!
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Alexander Yulish // acrylic on canvas // 2016
What do you see through the lens of this role in the contemporary art world that you may not have otherwise known about?

​People are craving a different experience. The white walls of a gallery have gotten tired. The site specificity of unique exhibitions like this are what excites younger generations to educate themselves on the art world.
What is your role as an art broker?

As a private art dealer, I assist clients in creating outstanding collections based on pre-defined goals. I work in contemporary, ​ post-war, and emerging. I work tirelessly to source the best works for clients, whether new to collecting or established.
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Christopher Reynolds // 2013 - 2016
What is something every artist should know, from an art broker’s perspective?

Kindness and being really cooperative will get you everywhere. You have to earn your stripes just like anyone else. No one owes you anything just because you’re an artist. Your ego is not your amigo.  Share.

When or how did you decide to pursue a career in the arts?
​

I was a collector and passionate about art, educating myself at every chance I could get. It was an organic process to become an advisor as I was being asked by myriad friends and colleagues for advice.  It was shortly after I realized I could make a living doing it!
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Marl Verabioff // LOAN-DILF // 2015
Other than centers such as The Getty, I’ve never experienced art this way. What kind of feedback have you received about this exhibition?
People have been “delightfully” overwhelmed, they have mentioned enjoying having so many works to experience. The excitement of turning a corner and seeing something different and unexpected is a fantastical experience.
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Christopher Reynolds // video installation
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Owen Kydd // With Your Shadows // 2016
With the current political climate, what kind of efforts do you foresee within the contemporary art world?
​

Anytime there is dramatic political change, artists and culture rise up in response. Whether with blatant statements, or with process change and enhanced creativity - there will be a surge of new work that is truly inspirational.  Whatever your opinion on the new president, one thing is certain - disruption will take place, and positive movement in the art world, and I believe, enhanced investment in buying work.
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Amir Fallah // Evil Eye // installation // 2016

Photos // Josh White

For a full artist list, check out the exhibiton's website:
Human Condition​
2231 S. Western Ave
Los Angeles, CA 90018
Exhibition through November 30th
Hours | Fri, Sat and Sun 11:00 am - 6:00 pm

You can also see the works on Artsy
​

​#TheHospital

1 Comment

The Recollections of Stones Unturned

11/1/2016

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​The Recollections of Stones Unturned
Exhibition | Nov 4th through December 23rd, 2016

Kent Fine Art is pleased to present a solo exhibition by Yulia Pinkusevich. The Recollections of Stones Unturned is a project that gazes back at our moment in time through a distant future lens. Earth and Mars have now changed in unexpected ways. Viewers encounter clues to what has happened through the collection of Guðríður, a voyager obsessed with the early days of Mars exploration. Her collection consists of a series of large scale laser etchings depicting the first human+machine traces and marks made upon Mars along with geological specimens found across Guðríður’s journey. Other elements of this collection include two resonant instruments; a glass harmonica and cast iron bell apparatus. Video and text complete the experience. This installation contemplates the similarities between Mars and Earth considering the ways progress has evolved on Earth and its subsequent extraterrestrial trajectories on Mars.
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​Pinkusevich’s installation grew out of her time and research while an Artist in Residence at Autodesk, Pier 9 in San Francisco. Working alongside artists and scientists who focus on bioengineering, astrophysicist, robotics, speculative architecture, bio-nano tech and much more, she became immersed in a world of scientific explorations. Thus began a year long investigation into the new geologies of foreign worlds. At Pier 9, she had full access to state of the art technology as well as data from cutting edge scientific communities, all developing into a fascination with extraterrestrial landscapes like Comet 67P Churyumov-Gerasimenko and Mars.
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210 Eleventh Ave, 2nd floor, NY
(212) 365-9500
info@kentfineart.net
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    Our Venison team uses this blog page to post short articles about events, projects, journeys, and art adventures that we find relevant to the contemporary lives of fellow artists.

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