Article by Danielle Schlunegger-Warner
Knowing Matt works mainly with road kill and specimen preservation I had a pretty good idea of what I’d be walking into when I reached his Portland studio, but I was ready for some surprises as well. I shuffled my camera around in my bag as walked up to the blank side of an industrial building up to an unassuming door “with bad graffiti” on it as Matt had instructed.
The first room was a bike workshop, with another studio sectioned off to the right. After greeting Matt at the door we walked through the shop to his studio in the back. Matt drew back a little curtain and we stepped into his space. The walls were covered in open-faced boxes that were filled with delicate little specimens of small skeletons, dried blue flowers, skulls, a naturally mummified Rat, and bits of paper.
“That’s my Cabinet of curiosity. I like to change it around every now and then, but I’m pretty happy with it right now” Matt tells me as leaned in to get a closer look the mummified rat and some dried blue flowers. I mentioned that I love the color of the flowers and he told me how he likes to see how long the color lasts, and keeps track of how long it takes for the colors on things like that to turn brown.
I could tell how much he loves his craft. I saw it in the way he got excited to show me the different piles of bones and explained the different processes of preservation he uses. I’m always very drawn to these mad scientist types of artists who are honing a craft on a backbone of conceptual ideas. There is something to be said about wanting to perfect a skill, and enjoying the labor of a project, and when it comes to articulation there is a fair amount of labor and patience involved. In the opposite side of the room Matt shows me his articulation bench where another little skull is in the process of being mounted on brass wire. I was impressed looking at the careful and clean way the pieces were fit together, but Matt immediately tells me how he could have done it better.
“Each time I articulate something I see how I can improve on the next one…” he says as he fiddles with the brass rod attaching the jawbone.
“I wanted to try plasticization,” he said “it’s where you take all the liquid in a specimen and replace it with a plastic. When you do this it doesn’t loose its shape.” Matt points to the wall above and shows me a dehydrated coyote heart. “ I did this one as an experiment and I don’t really like the way it looks. It just doesn’t look like a heart anymore, it looks more like a piece of jerky.” I had to agree with him there.
He held up the heart from the container again a mix of pride and excitement on his face “but this way it keeps it’s shape. This is the first time I’ve tried this, but after some research and trial and error it’s not as difficult as I thought it would be. This is just an experiment though. I’m hoping once it’s fully cured I will be able to drill a hole through the center so you can see right through it... There’s still a chance I could mess this up.” He says with some apprehension as he closes up the container ans we both take a seat at the worktable.
I ask about the deer, and Matt explains a friend found it while hiking and called him right away. “My friends all know I’m into this kind of stuff so they will let me know when they find things like this. I got out there as soon as I could because timing can be crucial. I looked around for a while but didn’t find it immediately. Someone, probably a park ranger, had moved it off the main path and into a little ditch. People don’t like seeing dead things, so they probably just moved it out of sight.” The heart Matt had been plasticizing was from the same deer as the skeleton, and he told me he plans to use them in the same piece for an upcoming show at Antler in October.
Since our visit Matt has successfully drilled through his dear heart.
You can check it out and follow him on his Instagram @matthallartpdx
Matt Hall grew up on a small farm on the outskirts of Klamath falls Oregon. He moved to Portland Oregon in 1997 to attend the Pacific Northwest College of Art, where he majored in painting and drinking coffee.
He's had a lifelong love affair with natural history museums, taxidermy, hidden spaces, sea monsters, and scientific phenomena. Matt's work, through the recording, preservation, and recontextualization of natural ephemera and found objects, deals with the intersection of death, memory, loss, and wonder. He currently lives in North Portland, where he can be found riding his bicycle, drawing trees and waving at neighborhood cats.
You can keep up with Matt's new work and progress through his instagram @matthallartpdx
and at http://www.matthallartpdx.com/
Keep an eye out for Matt's work this fall at Antler Gallery